Bucks (or A Bag of D*cks)
Mainstage in Bakehouse
Theatre, Mon 27 Feb
The scariest thing about Bucks
(or A Bag of D*cks) is it’s very close to the truth. Anyone who has spent
time in male dominated sporting environments for example, may well recognise
many of the behaviours in this menacing show. The uncontrolled substance abuse,
the bullying, the fake bravado, the repressed gay character, and the reluctance
to genuinely confront issues with honest conversation is a sad reflection on
Australian male culture that one hopes is becoming less prevalent.
The bucks party though is still alive and well, and in this
instance involves subjecting the buck to a range of demeaning behaviours in
some weird twisted idea of being a good mate, being a good sport, being willing
to have a laugh where in fact it is a degrading exercise in ritual bullying.
The 5 male cast members run amok in Bucks, and create a
sense of mayhem and chaos with high energy drug fuelled dysfunction. Old scars
resurface from unresolved differences and disagreements are met with denial or
attacks on the accuser with little regard to the truth of a matter. It’s all
about being tough, and it’s a toughness born of fear – fear of being
vulnerable, or looking weak or sensitive. A fear of honestly confronting reality
and dealing with opposing views in a rational way.
Bucks (or A Bag of
D*icks) is a great combined performance as they generate a sense of
palpable fear. There is a sense of relief as things come to a close even though
everything is still unresolved. You can imagine the characters meeting again
months later and having a laugh about ‘that crazy bucks party’ while still not
confronting the issues of fear, repressed sexuality, and the bullying it
revealed.
This show should be shown in schools across the nation for
boys to examine and question what is going on and why, and for girls to get a
glimpse of just how ugly and threatening the macho world of the Australian male
can be.
Not all Australian men are like this of course, but these
types do exist. Hiding behind notions of mateship and with misguided ideas of
what it means to be a man, they’re a blot on our cultural landscape.
(This review also published on The Clothesline.)
(This review also published on The Clothesline.)
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