FEB 9 2024
In 2011 a nuclear power plant in Fukushima caused a radiation
scare when its reactors were destroyed as a result of an earthquake and
subsequent tsunami. British playwright Lucy Kirkwood has created a similar
scenario in a small English town for her 2016 play, The Children.
Despite the background drama The Children gets off to a very
low-key start with a commanding looking Tina Bursill standing in a kitchen that
is obviously not her own. She plays the part of Rose, and she has let herself
into the house of old acquaintances, Hazel (Genevieve Mooy) and Rob (Terence
Crawford).
Things are a little tetchy between Hazel and Rose – they are
clearly not great friends. When Rob appears a little later we find out why. On
the surface The Children just seems to be about renewing social connections
after decades apart. Sure there is talk of ‘an exclusion zone’, contaminated
water, and intermittent power supply but these aspects of life are just woven into
everyday conversations with little drama. It almost seems that life is pretty
much normal. Perhaps the point here is the frog in boiling water principle:
that people can get used to anything.
In any event Rose has returned with a grander plan. She is
looking for older recruits to shoulder more responsibility and enable younger
people to leave the area for a chance at a longer, healthier life away from a
nuclear contaminated region.
This implausible course of action only has value if seen as
allegorical. It would seem that Kirkwood is suggesting that it is incumbent
upon older generations who have overseen the gradual destruction of much of the
natural world to make amends before they exit the planet. They have a moral
responsibility to bear the brunt of the damage and put themselves on the front
line of the battle. Rose and Rob seem willing, but Hazel’s not so sure: “I come
from a line of long-living women!”
The Children is effortlessly played by three veterans of stage
and film, and as expected all three are totally convincing in their respective
roles. Dialogue is crisp and witty, and dance and yoga scenes towards the end
add visual clues about the complexity of their relationships.
The Children is an intriguing night out. It’s entertaining,
and poses big questions without being didactic or too depressing. Quite
charming really.
