Future of Learning

Notes from the Future of Learning Conference (Sydney, February, 2014)

Keynote: Mike Keppell: Understanding the Next Gen Learners

• PLN; UGC
• innovative pedagogical practices (diagram)
• components of dig lit "understand info no matter how its presented"
• Rheingold: 'mindfulness'
• Digital ID (get from slides - to be added)
• Mike has had important conversations on Slideshare; also provides a form of learning analytics

• your digital footprint more important that CV? (dig tattoo?)

SEAMLESS LEARNING

• continuity of learning across locations, times, technologies, social settings
• assessment as learning - includes forward looking feedback; students have input into assessment crtiteria (rubric)

• dig cams give you instant feedback!
• [note to self: get a Garmin gadget - exercise; Fitbit?]
• Desire Paths - enable?
• new mindsets required

EDDIE BLASS - the year of 2525

5 drivers of change:

1) Dig Tech

• BYOD
• learning analytics
• blend (student chosen)
• informal
• collaboration
• gamification

2) Democratisation of Knowledge

• privacy redefined
• others can create your social identity
• smart systems/machines (eg Fitbit)
• instant peer review
• crowd sourced innovation

Therefore, what is the future role of research at your org?

3) Contestable Funding (for Higher ed)

• the next gen will be poorer than the previous generation for the first time in history!
• Ph Ds are not defended orally in Oz (viva)

4) Global Mobility

• cross  - cultural
• service provision (Khan Academy; MOOCs)
• global accreditation

5) Integration with Industry

• by 2025 TAFE will be embedded in higher ed (assuming that TAFE will still exist)
• there will be 'pracademics'
• universe-cities - ed for the masses
• ac freedom superseded by Internet; ac id will be transient

TECH DEVELOPMENTS ACROSS THE UK

Richard Walker (Uni of York)

Julie Voce (Imperial College London)

• disruption v renewal [two sides of same coin?]
• key challenges: mobile tech; BYOD
• students don't want tech to undermine contact time on campus
• pre-MOOC: only 3% of courses offered fully online (2012)Future: students as partners in curric design (there it is again)greater use of learning analytics (see Smart Sparrow)
• Sean Gallagher (uni of Sydney)
• Future of learning = future of jobs (is a second machine age coming?)
• many desk sitting jobs (screen) will disappear
• grads need to be creative problem solvers

• MOOC business model: worth it?
• good for marketing
• those who complete MOOCs tend to be higher ed grads already

• Using Big Data to Inform Pedagogical Innovation (Big Data has become obvious from MOOC phenomenon)
• MOOCs are personalised learning technologies

**Flipped Learning Design enables academics (researchers) to teach students the skills they already have!!!! Researchers are 'creative problem solvers'**

PANEL SESSION

What will influence learning outcomes in the next 5 years?

• Sandra Wills: HE will increasingly have to fund itself > open and free ed?
• Melinda Waters: changing skill needs of the workplace; industry want lit skills AND higher order skills (innovation, entrepreneurial. problem solving, global, mobility)

How will institutions change to cope with the changes?

What can we learn from other places?

If you were Minsister of Ed what would you do?

Ken Udas: free up information and content

Sean Gallagher (Uni of Sydney) : NBN!

Why bother having a degree at all? Any point?

• Ken: can you get 'knowledge' via the Internet? (Yes IMO); are we getting confused between the diff betw ed and training?
• Sandra: many unis have already changed and are NOT just delivering lectures; many offer applied learning as part of a qual
• Sean: go to uni for the social experience! (in US - residential college experience)

How do we re-engage the disengaged youth?Ken: produce 'caring' people!

• Melinda: current funding makes it difficult to be community focused
• Where do we find these 'pracademics'?
• Sandra: break down the silos

How to support academics through this change?

• Sandra: it's a complex system

Is it legit to speed up quals?

• Melinda: 'tick and flick' and 'time serving' are both issues!

FLIPPED LEARNING Mel Edwards - U of Sydney

• groups students accordng to interest/industry; sometimes ability
• uses Ken Robinson talks to inspire and explain to students; empowers them; talks about diff betw 'knowledgeable' and knowledge-able
• 1600 students: a team of staff who have been trained in the same system!
• not for all students all of the time - students complain about it being too hard ("she asks us to do too much")
• uses Survey Monkey to track student behaviour in relation to pre-work
• has been running this course for 3 yrs
• Freire quote about authority and freedom!

Dror Ben Naim - Smart Sparrow can provide personal learning analytics

Steve Wheeler

• MOOCS have been hijacked by companies and big data
• we are heading for the meta-web (web X.0)
• fitbit is part of the quantified self phenomenon
• believes all content shd be open (resigned from closed journal)
• (need to check the slides for the rest)
• transliteracy - ability to understand, and present yourself, equally - all media

DAY 2

Andrew Vann (VC, CSU) 

• Putting People First (not the market)
• most Aust unis state that teaching isoce their first priority! (Adelaide and ??
• Game: Peacemaker (Israel v Palestine)
• we've adopted the worse characteristics of the corporate world
• John Seddon (book) : targets are a distraction; focus on process is more beneficial
• maintain a sense of soul
• accept constraints and imperfections!!
• US unis don't seem to be as obsessed by global rankings
• CSU has a 'narrative' , not a mission statement
• TAFEs that have become unis are teachng focused

Helen Beetham (link from UK; adviser to JISC) bit.ly/jiscdigilit

Learning in the Digital University (@helenbeetham)

• digital capability is contextual (not always best)
• students are divided on use of tech (my take: depends a lot on teacher)
• has been involved designing dig lit program for JISC
• check pyramid (similar to Laslow's hierarchy) on dig lit (with Sharpe, 2010)
• "student learning is hybrid and pushing boundaries"
• recruit students as mentors! get  them to produce resources in gps "feed forward learning" (some students cd be paid!!)
• student solutions are 'better' - quicker, dirtier, need refinement, but WORK!

STREAM 1 - DIGITAL STRATEGY

Gilly Salmon (Swinburne) - The Future is Mobile

move to personalisation, authenticity

• [note to self: use CC badge on presentations]
• don't design for big screen anymore!!!
• 35% of world pop have Internet; 93% mobile penetration
• Aust: 81% Internet; 110% mobile; 57% FB
• Swinburne study (incomplete): 81% of students disappointed on how tech was used
• don't forget the role of assessment ----
• Flipped Learning Design requires mobile devices
• check apps that help develpent of UGC
• examples: field trip video diaries "learning in the wild"!!!
• possible resurgence of epfs with advent of multimedia channels????

MARK BROWN (National Inst for Dig Learning, Dublin)

Painting a Diff Version of the Future

The Contested Terrain

• tech is not just a tool (agree!!)
• tech favours  libertarians; decentralised, deregulated society - agree (ie values!)
• Shakespeare: "The web of our life is a mingled yarn - good and ill together"
• Books: To save Everthing Click, Against the Tide, Distrusting Ed Tech (Neil Selwyn)

The Discourse of Persuasion

• ed is NOT in crisis - WHO says it is???
• Einstein: "it is the theory that decides what we can observe"
• Deschooling Discourse
• badges, open, uncurriculum;  Mark thinks this is fundamentally flawed model
• eg P2P Uni, OER Uni, uncollege.com
• the flaw is...the state still plays an important role for reproduction of culture/heritage (weak defence IMO)

Who is telling the story? What is the story telling? what story isn't being told? (tick)

Ada and Elsie: Wacko-the-Diddle-oh

The characters Ada and Elsie were stars of Australian live radio in the 1940s. 'Live radio' played to two audiences - those out in radio land and those gathered together at a live venue. In Wacko-the-Diddle-oh the live audience gets to experience what it was like to help create the atmosphere for the radio audience. And what a hoot it is. You're encouraged to cheer and stomp as these two prissy ladies deliver their saucy humour. And it seems that sponsors insisting on naming rights is not a modern phenomenon. Then, as now, they need to be kept happy - not that easy in the 40s if you were 1) female and 2) wanting to push the boundaries. And then there's the sound effects: marvel at the ingenuity of a lost trade. Really strong performances from the three person cast, and  a fascinating, instructive journey into a genre that has faded into the past.

The Trials and Tribulations of Mr Pickwick

It's 1830 in Dickensian London, so it's the language, manners, and humour of another time. And that is a large part of the appeal of this production. How often do you hear such quaint phrases as 'a token of outward satisfaction' or 'murmured a bashful acceptance'? If as a contemporary citizen you can cope with utterances of more than 140 characters (!) you'll appreciate the richness of the vocabulary used here. Nigel Nevinson delivers a deft portrayal of multiple characters that is polished and entertaining. OK - some of the jokes which may have been very funny nearly 200 years ago now seem a bit twee, but there's a charm at work here that tells an interesting moral tale, and also has something to say about the slippery nature of lawyers - not everything's changed! A wonderful way of becoming familiar with the background to a classic of English literature. Thoroughly enjoyed it.

Siem Reap/Angkor Wat

Siem Reap could easily be  a terrible place but it's not. So many thousands of visitors pour through each week en route to the ancient temples of Angkor Wat and surrounds that it could easily cave in to tourist tack and sell its soul, but so far its soul is intact. There are some tacky parts to Siem Reap, notably the loud and gaudy Pub Street, but for the rest it retains some integrity with a balance of fine cafes and classy guesthouses and hotels. The Siem Reap river winds its way through the town and if you follow it far enough at either end, provides easy release to the fringes of town  and the countryside beyond.

But the reason for being in Siem Reap is of course the superb World Heritage listed sites of Angkor Wat. The name Angkor Wat is used to refer to both the mother temple of the region - which is Angkor Wat, and the region that contains a series of other temples for several kilometres around - like Angkor Thom and Ta Prohm. I visited 5 different temples, and they are all magnificent, but Angkor Wat itself stands alone as the highlight. About 1.5 kilometres in length it is believed to be the largest religious structure ever built. Its location in deep forest, the majesty of its design, and the endless detail of the thousands of bas-reliefs and countless carvings on walls and roofs takes your breath away, keeps you entertained, and in a constant state of wonder.

There were a lot of people there the day I visited, and I imagine that is the same every day of the year, and herein lies a potential problem. The temple itself is big enough to absorb the crowds, but not so other smaller temples. (The lovely Bayon was a nightmare.)  The Angkor Wat complex must be a vast earner of foreign currency - every foreigner pays $20 a day to enter the complex. And now Cambodia is largely at peace with itself and the word is out that it is a superb place to visit, the world will continue to visit in droves and this is going to place a lot of pressure on the infrastructure around Siem Reap, and create growing congestion around the smaller temples.

I am not going to attempt to describe the temples in any detail here. Photos do a much better job of that. As in other places in Cambodia be prepared for constant requests to take a tuk-tuk or buy stuff you don't want. And if you say no try and be gracious about it.

When you're tired of the temples, and you still have the time, take a trip to the floating village of Chong Kneas about 15 kilometres away. It's one of those things you're never going to see in the average run of daily life, and it feels like a privilege to witness the intimate life of a community on water.

Why TAFE as an institution matters

A few weeks ago I went to work as usual and bumped into a colleague in the foyer of a metropolitan TAFE here in Adelaide. We had a vibrant 10 minute conversation about life, education and work and then we both went on to deal with the rest of our normal work day. It was one of many occasions in the last few months where I've been aware of being part of an large organisation like TAFE, and the incidental value one accrues from simply being part of it. I am on the verge of being offered (though I may not be) a handsome sum of money to walk away in the relentless drive to reduce the cost of TAFE on the public purse. If I leave TAFE such vibrant incidental conversations with colleagues will become a thing of the past.

In an interview with Leesa Wheelahan in the Australian TAFE Teacher magazine this month she stresses the importance of TAFE as an institution, and how this is being neglected in the rush to reduce TAFE to just another competitor in the Australian Vocational and Education Training (VET) sector. When you work or study at TAFE you typically come to a large campus with impressive buildings and well-kept grounds that signify value. A student may well feel that they have come to a place of importance because obviously a lot of money has been spent on substantial infrastructure. I imagine that it is an easy jump for a student to conclude that what they have signed up to do - a course of study at TAFE - is a worthwhile pursuit because the scale of the organisation and the quality and variety of facilities on offer signal its importance.

Even on the mundane level the idea of having a canteen or cafeteria that is relatively cheap and comfortable and that caters to basic human needs conveys subliminal messages that TAFE matters, and so therefore does the course you're doing. And in the canteens and corridors of TAFE campuses you can't help but notice the diverse range of people that TAFE attracts - migrants, women, tradies, quasi-academics, etc and I'd argue that this incidental contact with a broad spectrum of society provides a valuable and vicarious experience of the pluralist society we live in.

All TAFE campuses typically have a reception area that is central and hints at an institution that is organised. You can always go to this main area if you're lost or for all manner of general enquiries. That is, there is a central area that is staffed with people who are there to support you. And over time you might get to know the staff who work in the reception area and acknowledge them as you walk past each day.

All TAFE campuses have a library. It contains resources to help you with your study, and staff whose job it is to find suitable resources and advise you how to use them. You can work on any of the many banks of computers available, and as with the canteen, you can't help that notice the diverse cross-section of people who share the library with you.. And if you're a regular visitor to your campus library staff can become members of your regular support team, or even friends. These kinds of encounters might give students the chance to develop the soft skills of communication, negotiation, and problem solving.

Though it seems TAFE in South Australia is determined to remove the Student Services part of the organisation, this arm of the organisation was another level of support beyond the classroom teacher who could offer you extra support with your studies, provide counselling on personal issues, and even help you find work.

These kinds of services - canteen, reception, library, and student support - are the services that are often associated with institutions. And they are there to not only offer support in a student's studies, but to also ensure that a TAFE student's basic needs are met, and show that the organisation cares about you as individual and will provide all the resources necessary for you to succeed. And it is these same kinds of services that are being slowly eroded in the new TAFE where the focus is only on a student coming to class and passing as quickly and cheaply as possible.

So the trappings of TAFE as an institution - a place that offers multiple levels of support and has as part of its mission a commitment to providing an enriching study environment that is not solely focused on the classroom - seem to have gone. And as Leesa Wheelahan notes, this would never be tolerated in the schools or Higher Ed sectors because those sectors produce social elites that will defend the integrity of a fully supported and enriching study environment. TAFE is not in the business of creating social elites so there are no such champions willing to defend it from becoming a place where people are pumped in and pumped out as quickly as possible, and where market forces and reduced funding are at the root of EVERY decision.

In conclusion, Leesa Wheelahan once more:

"...since the 1980's we've had the transformation of society from a society in which the market supported the broader society, to a society where the point of society is to be a market. And so the point of education is to produce people who can operate in the market, and we've had a narrowing of what education should be about because we've had a narrowing of what society should be about. And that has led to a narrowing of what TAFE should be about."

RANDOM NOTES FROM IDEA13 CONFERENCE - Collaborating for next generation learning

RANDOM NOTES FROM IDEA13 CONFERENCE - Collaborating for next generation learning (MCG, November, 2013) 

Keynote Day 1

 Mark Pesce - the Network Takes Over

• computer = connection 
• new gens embrace connectivity (of devices/people/knowledge) 
• librarians have won - knowledge is everywhere 

CRAPTASTIC WORLD

• $79 Target tablet Indian 
• dept of Ed sells tablets to students for $29 (Aakash) 
• we will (ALL) be soon connected;what will we produce?? (Wikipedia +) 
• knowledge = transforming facts > knowledge networks = capacity amplifiers 
• at what age do we connect kids? (danger of obsession/distraction) 

SHARE THE LOVE (and assessment)

• children need to be educated into the culture of shared knowledge > digital literacy/netiquette, etc 
• HOW DOES ASSESSMENT WORK IN A WORLD OF SHARED KNOWLEDGE?? currently assessment involves separating student from the tools of knowledge construction 
• "assessment is intrinsic to the act of sharing" 
• how well do you relate? share? mentor? ie collaborate 
• students will be members of peer networks based around history eg, Or Maths...; they may or may not be part of a 'class' 
• repeat: "the culture of shared knowledge" 

THE NETWORK TAKES CONTROL 

• connect, share, learn... 38% of schools now allow BYOD (which means BYO network) BUT sharing = cheating!!!! 
• Future: lease/license instead of copyright/ownership dissonance betw classroom and outside world (which is connected); so classrooms just need to catch up with current reality 
• people need to be scaffolded into networks 

-------------------
INNOVATION STREAM

• Embedding Innovation - the tech does not make it innovative; it's about what you're doing with them
• Makey Makey
• kids reading from a script about the wonderful things they do - meh; but now they show vid they have made - yeh!
• Skype conferences betw local schools on deforestation project. (One of the schools was Dallas Brooks PS in Melbourne)

Dror Ben -Naim - the Personalised Learning Future (Smart Sparrow) 

• adaptive intelligence/tutors; adaptive learning: the new breed of ed tech tools? 
• AI = artificial or adaptive intelligence; governs feedback and sequence 
• B 2 B - brain to brain! In the neuro - electric - friendship dept 
• future: everyone has an individually tailored course (with the help of intelligent courseware) ?? 
• 1-1 has always been the best way of teaching; we can now scale it with technology 

Mark O'Rourke (Vic Uni) - Education and Training Games
NBN funded: the White Card Game - no dig literacy skills needed; a familiar environment (workplaces) 

Mark Dreschler - The Vendor Perspective

• "All of us are teachers/students in a collaborative environment." (Moodle.org) 
• talking about Moodle as the product of collaborative endeavour 
• "vision of success - with flexibility on the specifics" 

DAY 2 

Keynote: NELSON GONGALEZ (Declara - an intelligent social learning platform)

automated knowledge work projected to be #2 disruptive tech
which 6 of my my network can help me with this task?
1) we're living in perpetual now "neuronification of the web"
2) "the intersection of neuroscience and social collaboration"
Declara does the analytics (searching) for you...so you can start work with the data you need without having to look for it. What is the effect on us when we are now slaves to the analytics - ie not involved in the search?

RAJU VARANASI (ESA) Digital Learning- Platform Thinking Disruption 

2 types of platforms:
1) content intensive (eg YT, Amazon)
2) communication intensive (FB)
pipe thinking (pre-Internet) v platform thinking (post-Internet)
3 industries that survive via copyright: books, music, film; these are the 3 areas most experiencing disruption

CONTENT CREATION > CURATION 

Jo Norbury 

• What's Driving VET Content? 
• VET Commons not yet available; may promote/enable community creation? 

Andrew Hiskens (State Lib, VIC) 

• curate became a verb in the 1980's in music festival context 
• (good speaker but ignoring topic - why???) 

Steve Midgley (keynote) Making Education Internet Compatible 

• Big Data.... 
• Air BnB implements changes every day!! This is a contemporary trend in software. (Why?) 
• YouTube: now 100 hrs/min; 
• 2013: 40% mobile Twitter: 75% mobile 
• You need concept thinking + mechanics (ie understand why you do things like quadratic equations)

The Decay of Public Language

Spoken reflections

on a talk from Don Watson at the concluding session of Adelaide's Festival of Ideas

RIP Dave Lucas

Flipping Learning - How to Ensure Your Flip Doesn't Flop!

Presentation given for the National VET elearning Strategy in Blackboard Collaborate on October 8th, 2013. Recording available HERE. (About 1 hour)

Mobile and Wearable Technologies - Panel Discussion

Synopsis

Recording of a panel discussion with:

Stephan Ridgway - Manager Learning and Innovation, TAFE NSW - Sydney TAFE

Michael Coghlan - Elearning Coordinator TAFE SA

Helen Lynch - Senior E-learning Consultant, Curriculum Renewal Project, Charles Sturt University, School of Policing, Goulburn, NSW, Australia

Facilitated by Alexander Hayes

Recorded at the mTech: Mobile and Wearable Technologies forum exploring the likely impact of mobile and wearable technologies in an educational context. held at INSPIRE Centre University of Canberra 16 August 2013.

Links

mTech 2013

THE CUSTOMER IS NOT ALWAYS RIGHT

The Radisson Blu Hotel on Dubai Creek is a great hotel - that's why I went back a second time. But the Duty Manager on the night I checked out (Sept 12th) - Rahul or Majul? - clearly doesn't believe the customer is always right. I felt I had been misled by information hotel staff had given me on my previous visit. I had been encouraged to book directly with the hotel - something I rarely do - and it ended up costing me considerably more. Consequently I thought  it reasonable that my bill be discounted a little. Rahul wasn't having any of this, and persisted on telling me how hotel bookings work - something I know a bit about! - and only begrudgingly in the end acknowledged, after much prompting from me, that 'he got my point.' He did eventually discount the price and I was grateful for that, but I was annoyed at his stubborn refusal to concede that his hotel staff had erred. Most unusual for front of house staff to be this stubborn in my experience. The money wasn't really the point for me. I just wanted acknowledgement that I had been misled. Rahul - I just don't make up stories to get $30 of my bill, and I think you need to come down a peg or two if you want a long career in hospitality. But, as I said, a great hotel. Right on Dubai Creek with wonderful  views , mostly very friendly staff, and excellent breakfast. Reasonable free wifi. (Sorry if I got your name wrong 'Rahul' - but you know who you are.)

(The above posted to Trip Advisor.)

WHAT TO DO IN DUBAI

DO take an abra (traditional wooden water taxi) across the river (1 dirham)

DO visit the Dubai museum. Excellent reconstructions and model displays of Dubai's past.

DO go to Dubai Mall at sunset and watch the sound, light and fountain show for some sheer fantasy.

DO go to Jumeirah public beach for a swim. Taxis come by frequently to take you to your next destination, Metro, or hotel.

DO take the Metro to anywhere. There's a brand spanking new airconditioned city underground that is fantastic relief in the summer.

DO visit the spice section in the grand souk. Great sights and sounds. And if gold is your thing you can ogle wealthy tourists shopping  in the nearby gold shops.

DON'T bother with the aircon tourist water taxi on the creek unless you're desperate for a cool break.

DON'T bother with the Burj Al-Arab. You can't get any further than the gate and you can see it well enough from other places.

DUBAI MARINA - DO or DON'T? If you want to see first hand the excesses of rich Dubai give it a visit. Its opulence is impressive. But if this kind of thing offends you stay away. (it's also quite a long way from central Dubai.)

Population Profile

If you get the impression that Dubai is full of young men who are on their own without family and not particularly happy, consider:

·         75% of the population is male

·         50% are from South Asia

·         the largest cohort are the 16-29 year olds

Changing World of Education

"The dominant culture of education has come to focus not on teaching and learning, but testing...this...leads to a culture of compliance rather than creativity." (Sir Ken Robinson) TED Talk at http://www.ted.com/talks/ken_robinson_how_to_escape_education_s_death_valley.html

Unsound

Event: Unsound Adelaide. Tim Hecker & Daniel Lopatin (aka Oneohtrix Point Never), Robin Fox, Raime and Trinity (Biosphere, Lustmord, MFO)

Queens Theatre, Thu Mar 14

It began without introduction or fanfare. Two shadowy figures huddled over keyboards, mixers and other assorted gadgetry launched an electronic fanfare of their own that enveloped every square centimetre of the Queens Theatre. It was quite literally an assault on the senses: volume was something you felt not just heard. Often quite beautiful ethereal sounds were disturbed by sonic rumblings that seemed to come from deep within the earth to shake the building and vibrate your organs. A sound and light show followed that just took the concept to a new level. Sound driven beams, waves, arcs, and swirls radiated above and around us in a science fiction fantasy. Except of course it is not sci-fi - it is now. Much excitement lays ahead for those who dabble in the digital arts. *Unsound Adelaide part 1 was a stunning, if a little scary, entree into a field that could blow peoples' minds.

Murder (Queen's Theatre, 6/3/13)

Billed as a meditation on our culture's obsession with violence Murder is surprisingly beautiful. Murder brings people together. In previous ages murder was an accepted public spectacle and drew big crowds. Our contemporary world has been forced to find other ways to indulge our fascination with death, and Murder displays several alternatives in a dream-like narrative. The subconscious realm is represented by puppets with a form and elegance so convincing you forget they're not real. Reality itself however is presented as a blend of dreams, sex, death, subconscious and fantasy - all with overlapping boundaries. Nick Cave's songs provide a suitably ominous soundtrack, and visual media offer clues about location, and the state of mind of the production's only human character. There are macabre moments but they are softened by a trance like atmosphere that teases the subconscious - humans aren't like this on a conscious level are they? Are we? Am I?

DirtDay! - Laurie Anderson

DirtDay! is a remarkable piece of performance art. The stage is lit with candles as Laurie Anderson begins a musical journey punctuated with spoken thoughts on the role of women, evolution, religion, politics, philosophy, economics, death - with superb dramatic timing and plenty of humour. This show has so many levels - a visual feast, a philosophical treatise, an entrancing musical performance, and at times a profound literary event. While Anderson reveals her depth as a serious artist in choreographing the multiple facets of this performance, it is also liberally sprinkled with opportunities to appreciate both the absurdity of existence, and her own art. Her dog gets a cameo role as a guest artist! There were shades of Pink Floyd and Nick Cave in the hypnotic feel of the musical score but the mastery of electronic keyboard, violin and other assorted gadgets produces an overall sound that is uniquely hers.

The Saints of British Rock

The Saints of British Rock tells the tale of a mythical rock band that rise to stardom during the sixties. Using the format of a celebrity chat show, supplemented by slides, movies and animation, they relate stories of their success before disappearing into a time warp that is connected with Camelot and King Arthur. Somehow they are converted into eco-rock warriors and re-emerge as musical campaigners for the natural environment. So far so good. The dialogue from the two main characters however just seems childish and pointless. The intent presumably is to satirise the phenomenon of vacuous rock stars being thrust into the limelight and forced to be spokespersons about things they know little about, but the writing is tedious and lacks punch. Musically the show holds together and has some nice moments. It would work better if they just told the story with music and multimedia and drastically prune the dialogue.

4 Voice - Review

4 Voice are four local lads who promote themselves as Adelaide's premiere acapella group - good on 'em for aiming high! Happily we were encouraged to keep our phones and cameras ON - at least someone understands new media. We were then treated to a high energy, humorous, lively and engaging show of original arrangements of mostly golden oldies, complete with dance routines, and a couple of excellent originals thrown into the mix. (Big tick!) Their infectious stage presence easily gets the audience involved on several numbers. Highlights: the song they use to pick up girls, a zany impromptu restaurant scene, and the vocals of their bass man Tom. A fun show.

Again Amazing - Nicholas Tweedy

There's magic and there's mentalism - Nicholas Tweedy's preference is mentalism but he offers both in this extraordinary show. Lots of card tricks and non-threatening audience participation in an informal and relaxed presentation. It almost feels like you're at home with friends. With each 'trick' the stakes are raised and it becomes harder to believe what you're seeing, but every time Tweedy manages to prove he knows what we're thinking. It's the second time I've seen this kind of mentalism in action and despite my cynicism (apparently Australian audiences are among the most sceptical) I'm now a convert - I believe that mentalists can control what we think! There is no other rational explanation for some of the things that happen in Again Amazing. Presentation could be slicker but my guess is 'Nick' wants to keep it down home and cosy. Treat yourself and go test out your own cynicism.

Inside- Frank Woodley and Simon Yates

This is theatre rather than comedy; art rather than entertainment. Comedy and tragedy are different sides of the same coin, and Inside clearly demonstrates this paradox. Brothers Vasili and Viktor are confined in a dark place, and have been for a very long time. Their symbiotic relationship is endearing and sometimes uncomfortable for the audience. It goes way beyond the fraternal as they struggle to maintain their sanity. A five minute window of sunlight each day allows them to dream, and entertain hopes of escape. There are funny moments and they come as welcome comic relief. Often people laughed at what I found sad - I was searching for the symbolism - while others needed to laugh. Plenty of physical comedy and clever musical moments, but clearly Frank Woodley is trying something new, and it worked for me. But it was much more than just a laugh. 

Tim Fitzhigham - The Gambler

Some would argue that betting is in the Australian blood. An hour with wide-eyed Tim Fitzhigham makes it quite clear that our obsession with betting has ancient roots in the mother country. Tim has done some very strange things in his time, all in the name of a good bet. Pushing wheelbarrows across London, challenging the world's best in chess, rowing a bathtub across the English channel, long distance Morris dancing - and he re-enacts these crazy adventures with the skills of an engaging storyteller. And if his stories seem a bit far-fetched he has photographs to back them up. The appeal of this show is the weirdness of the tales and the humour and infectious energy of the storyteller as we relive his oddball adventures and take our own bets on their outcome. Like a bet? Take a chance and go and see this funny, enjoyable, and instructive show.