Tuxedo
Cat’s Perske Pavilion, Sun Feb 16
Just
about everything Stuart Bowden does in Before
Us is inappropriate. Not in any shocking way, or in any way that is
embarrassing. Quite the opposite – it’s actually quite endearing. His costume, his
dancing, a lot of his singing, the almost stream of consciousness monologue –
all inappropriate. And the interesting thing is that when you string together a
series of inappropriate activities you kind of get a new genre that is unlike
anything you’ve ever seen.
Bowden
enjoys talking about death, and this show is loosely built around the story of his
father’s death, and our own mortality. Using live looped audio as a backdrop to
his strange tales Bowden speaks for all those who have ever felt insecure or
vulnerable; for all those who’ve contemplated the big questions about being
alive. And dead. Like who were my parents? Why I am here?
He
has a charming knack of using apparent nonsense to get us thinking and feeling
more deeply about life. It was interesting to notice how the audience moved
from behaving like they were at just another comedy show laughing and giggling
at every weird quirk or throwaway line, to realising that that there was
something deeper going on that was more enjoyable and more meaningful than just
cheap laughs.
By
then his naive charm and sense of magic had the audience under his spell and
you felt the connection between the absurd and the profound, the beautiful and the
mysterious - to the point where we were all quite prepared to join in the
marvellous final scene and celebrate being alive!
Do
something completely different this Fringe and surrender to Stuart Bowden’s
spell of weirdness. You will laugh. You may even cry. But you will leave
feeling better about life. This play is just a joy.
Star
Rating: 4.5
(also published on The Clothesline)
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