Plant 1 Bowden, Tue 8 Mar
Five concurrent plays performed simultaneously in a pit of foam rubber on the site of the old Clipsal factory. Sounds like a recipe for total confusion but no, it was surprisingly cohesive.
Four years in the making by drama students from Flinders University this production explores the themes of alienation and information overload in a hyper connected world. It takes a while to sort out who’s talking to who but once that’s achieved it was easy enough to take turns focusing on the conversations that criss-crossed the performance space – in much the same way we’ve learned how to digest the information we want to hear from multiple streams of media in the contemporary world. It’s a cacophony if you try and take it all in, but quite manageable if you split your focus to those parts you find more interesting.
Two online gamers at opposite ends of the space did a great job of remaining connected. A couple who share a pregnancy are not sure how close they want to be. An earnest young man espouses the virtues of the Bahai religion on his YouTube channel, and gets side-tracked into another play when he spots a young woman who he feels is in need of spiritual assistance.
At several junctures the conversations dovetail as if they are on the same wavelength before drifting off again into separation. “We are all connected.” These could be random coincidences or a higher power exercising subliminal control.
It’s an intriguing premiere of a brave concept. Beautifully played, and artfully directed by Nescha Jelk, it subtly increases the level of angst until the various characters are eventually driven to physical closeness in a chaotic finale.
A really enjoyable spectacle and experience. The minimalist lighting was eye-catching and super effective, and there’s a delightful irony in the fact that this fable of modern life takes place in a relic of an industrial era that’s coming to an end.
(also published on The Clothesline)