State Theatre Company (in conjunction with Belvoir St Theatre)
Odeon Theatre, Thu 22 June
With the daily focus in the media around the imminent Voice referendum there has never been a more fertile time for discussion of Aboriginal issues and At What Cost is like a hand grenade being thrown into the mix.
Set in Tasmania, Boyd is a newly appointed elder and has been designated the honour of cremating the remains of a distant relative who is being returned to ancestral lands. Boyd is deeply moved by the trust and respect his people have bestowed upon him and he begins preparations for the ceremony.
Enter a pale-skinned ginger-haired woman, Gracie, from elsewhere in Tasmania who is on local Palawa land conducting research into colonial history. A chance meeting with Boyd’s cousin appears to lead to a blossoming romance – no real problem here. But it turns out Gracie has another reason for being on this land.
Boyd had earlier made it very clear what he thinks of tick-a-boxers who think they can just fill out a form and proclaim themselves to be of Aboriginal descent, and when faced with an interloper in the days leading up the most Important cultural experience of his life he verily explodes. His impassioned ‘where were you’ plea for integrity around the whole question of Aboriginal identity is confronting and powerful.
Circling above the intriguing narrative of this play is the whole question of belonging, of feeling connected – to ancestors, to land, to culture, to beliefs. Why do people feel this almost desperate need to belong to something with a significant past? And why do they get so upset when those feelings of connection are questioned or threatened?
From the moment this play begins with stars appearing in the sky to the beat of a clapstick you feel the pull of nature, the beauty of country. Indoor conversations take place off to the side. The rest of the stage is outdoors under sky and stars. The scene of the final ceremony is visually striking – quite beautiful.
Luke Carroll’s high energy performance as Boyd drives this show. The provocative casting of Alex Malone as Gracie was a brave choice but she did a fine job as a foil for Boyd’s passion.
So many issues to unpack here! Get along and see it for yourself.
Written by Nathan Maynard
Directed by Isaac Drandic
Originally performed at Belvoir St Theatre, Sydney
This review also published in The Clothesline.
