Monday, February 26, 2024

K Mak At The Planetarium: Adelaide Fringe 2024 Review


The Planetarium, Sat 17 Feb, 2024

K Mak’s website says they are the brainchild of cellist Kathryn McKee, and describes their music as ‘a distillation of classical, alternative and electro-pop music.’ That’s handy because I was struggling to identify their genre. Not that you always have to pigeon-hole the music we listen to. Things don’t always fit into convenient categories and K Mak at the Planetarium is a case in point.

It’s initially a little confusing trying to decide whether to focus on the music or the projected visuals until one eventually accepts that it’s meant to be an integrated experience. And it works really well.

Just relax back into the chairs of the planetarium and let the whole experience wash over you; let the sights and sounds take your mind and soul wherever they want to go. And my mind certainly wandered far and wide across the universe, and then deep down into microcosms of throbbing liquids and bubbling gases. Watch a parade of planets, rockets launching, asteroids, deep space, star signs, the blazing sun. Kaleidoscopic patterns, magical plants, sea creatures – it’s essentially a celebration of the natural world, with a dose of psychedelia.

K Mak’s music was always interesting and perfectly complementary – a neat combination of persistent rhythms with ethereal melodies carried by keyboard, cello and violin. The sound was not always totally in synch with the visuals but that didn’t seem to matter. It was very much a case of you connecting the music and the visuals in any way you wanted. There was nothing prescriptive about this event. No program as such, though there was an occasional comment introducing the next piece. But you make the connections; you join the dots.

Be immersed in childlike wonder. You might however find your adult self contemplating how insignificant we all are in the presence of the power and beauty of the universe. And that’s not a bad thing is it? Certainly puts things in another perspective!


This review also posted on The Clothesline.

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